AR Rahman Sparks Controversy: Hints at ‘Communal Bias’ in Bollywood, Calls Chhaava ‘Divisive’ – Industry Reacts Strongly!

Published on: January 17, 2026 By: Entertainment Desk, MasalaMirror.com

Oscar-winning music maestro A.R. Rahman has stirred up a massive debate in the Indian film industry following his candid interview with BBC Asian Network. The legendary composer opened up about receiving fewer Hindi film opportunities over the past eight years, suggesting a possible “communal thing” amid a power shift where non-creative decision-makers hold sway.

In the viral conversation, Rahman described how project offers sometimes come through “Chinese whispers” — initial interest fades as music companies opt for other composers. He emphasized he isn’t actively seeking work but noted the change since around 2018.

Adding fuel to the fire, Rahman addressed his work on the 2025 blockbuster Chhaava (starring Vicky Kaushal as Chhatrapati Sambhaji Maharaj), calling it a “divisive” film that “cashed in on divisiveness.” However, he defended his involvement, saying the core was about bravery and that scoring for such a culturally significant character was an honor. He also critiqued the use of words like “Subhanallah” in certain scenes as “cringe.”

Rahman highlighted his upcoming project — Nitesh Tiwari’s Ramayana (starring Ranbir Kapoor, Sai Pallavi, Yash) — where he collaborates with Hans Zimmer. He stated: “Hans Zimmer is Jewish, I am Muslim, and Ramayana is Hindu.” Rahman stressed rising above narrow-mindedness, drawing from his Brahmin school education where he studied Ramayana and Mahabharata annually, and valuing universal good teachings.

Industry Heavyweights Hit Back

The comments triggered sharp reactions:

• Kangana Ranaut blasted Rahman on social media, calling him the “most prejudiced and hateful” person she’s encountered. She revealed Rahman refused to meet her or work on her directorial Emergency, allegedly labeling it a “propaganda film” — a claim she tied to his alleged bias despite her facing prejudice for her political views.
• Veteran lyricist Javed Akhtar rejected any communal angle, saying he’s “never felt” such discrimination in Bollywood. He noted Rahman’s immense respect and stature make producers hesitant to approach him casually.
• Author-columnist Shobhaa De called the remarks “dangerous,” asserting Bollywood has been free of communal tensions for 50 years — talent alone gets opportunities, not religion.
• Playback singer Shaan dismissed bias claims, pointing out even he gets less work sometimes, but it’s not personal discrimination. He highlighted successful minority community superstars in the industry.

Social media exploded with mixed views — some accused Rahman of playing the “Muslim victim card,” referencing Bollywood’s historically inclusive environment for Muslim artists. Others defended him, seeing it as a genuine observation on industry shifts. Critics also noted Rahman’s conversion to Islam in the late 1980s and past controversies resurfacing.

Is It Bias, Power Shift, or Career Phase?

Rahman’s recent Bollywood output has been selective — Chhaava (2025) and Tere Ishq Mein stand out, but fewer assignments compared to his peak era. With major projects like Ramayana, Lahore 1947, and Gandhi lined up for 2026, the maestro remains in high demand globally.

Is this a legend reflecting on evolving industry dynamics, or an unfortunate dip into identity politics? The debate continues to rage across Bollywood, South cinema, and social platforms.

What do you think about AR Rahman’s comments? Genuine concern or something else? Drop your views in the comments below! 

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